Diferencia entre revisiones de «Agradecimientos»

For some two decades now, the Stormlight Archive has been my dream—the story I always wished I could tell. The people you’ll read about below quite literally make my dreams a reality, and there aren’taren't words to express my gratitude for their efforts. First in line on this novel needs to be my assistant and primary continuity editor, the incumbent Peter Ahlstrom. He worked very long hours on this book, putting up with my repeated insistence that things which did not fit continuity actually did—eventually persuading me I was wrong far more often than not.

As always, Moshe Feder—the man who discovered me as a writer—did excellent editorial work on the book. Joshua Bilmes, my agent, worked hard on the book in both an agenting and editorial capacity. He’sHe's joined by Eddie Schneider, Brady “Words"Words of Bradiance”Bradiance" McReynolds, Krystyna Lopez, Sam Morgan, and Christa Atkinson at the agency. At Tor, Tom Doherty put up with me delivering a book even longer than the last one when I promised to make it shorter. Terry McGarry did the copyediting, Irene Gallo is responsible for the art direction for the cover, Greg Collins for interior design, Brian Lipofsky’sLipofsky's team at Westchester Publishing Services for compositing, Meryl Gross and Karl Gold for production, Patty Garcia and her team for publicity. Paul Stevens acted as superman whenever we needed him. A big thanks to all of you.

And finally, thanks to my loving (and rambunctious) family. Joel, Dallin, and little Oliver help keep me humble each day by always making me be the “bad"bad guy”guy" who gets beat up. My forgiving wife, Emily, put up with a lot this past year, as tours grew long, and I'm still not sure what I did to deserve her. Thank you all for making my world one of magic.