Diferencia entre revisiones de «Resumen:El ritmo de la guerra»

She attempts to hide her discovery from those watching her as she seeks a lightLight that would produceexpress the sound. The day after her discovery, Raboniel comes to check on her, asking about the sound that her guards say is so terrible. Initially, Navani manages to deflect Raboniel’s questioning, but as Raboniel goes to leave, she sees the new platesplate that createcreates the new tone and she tests themit. She watches as the sound forces Voidlight out theof Voidlighta sphere, and she says she felt the Voidlight in her gemheart respond. Raboniel reviews Navani’s notes while Navani explains what she is doing: Navani believes that Voidlight echoes Odium’s tone, and that by transferring Voidlight from one sphere to another in a vacuum, it will not be able to hear a tone to echo--until it hears Navani playing the anti-Voidlight tone against the new sphere. The experiment works, and the endnew sphere has a warping to it; Raboniel screams when she touches it, though Navani cannot tell a difference. Navani leaves Raboniel in the room, and soon, as Navani hoped, she hears an explosion as Raboniel tries to mix Voidlight with anti-Voidlight. Raboniel survives and has Navani make another gemstone immediately. Raboniel affixes it to one of the daggers in such a way that it would force the anti-Voidlight outward, not inward, and then uses it to stabkill her daughter. Raboniel hums as she holds her dying daughter. Navani realizes that this will end the rebirth cycle and that Raboniel didn'tnever wantwanted to kill Odium--she wanted to free her daughter. Raboniel takes Navani's notebook, saying that she will make a copy for Navani to keep, but that she needs to do the same forprocess with Stormlight. Navani is horrified, but Raboniel says that she has told her all along that her goal was to end the war, and that means killing spren so they can no longer bond more Radiants.